Showing posts with label Kinesthetiac. Show all posts
Showing posts with label Kinesthetiac. Show all posts

7/03/2016

Review: Kinesthetiac - "I'm Discovering Days of My Life"

Kinesthetiac - I'm Discovering Days Of My Life
(Horrible Recordings 2016)

The latest installment in Jared VanMatre's increasingly deconstructive Kinesthetiac discography is at once a Gregorian patchwork of appropriated pop acapellas and YouTube videos, an alternate universe episode of Merrie Melodies scored by Autechre and a tape's worth of new-age healing music eaten by a Volvo cassette deck - though not quite as polished or dance-able as the project's bubblegum-IDM self-titled EP or the post-eurobeat of earlier works, I'm Discovering Days of My Life showcases the most inventive side of Kinesthetiac's varied and prolific Soundcloud output. There's a Dadaist sense of sense of collage holding the 22-track record together, its crackling field recordings and samples pasted to cinematic synthscapes with glitter glue and digital Scotch tape. All is blisteringly paced and perpetually forward-moving: ideas, textures and melodies are hurled at the listener, leaving them to perform a juggling act between each eardrum. What cohesiveness is sacrificed, however, is eclipsed by the sheer amount of novelty and moments of maximal beauty afforded by this laissez-faire approach to songcraft. There's the Hanna-Barbera "running" sound effect that acts as a DnB break on "Sunburst Atrium", the lo-fi local news bumper piano of "In Memory" and the cavernous reverb that floods "Imaginary" - a Vangelis-esque soundscape that reminds me of Washed Out's "A Dedication" sans percussion plus gobs of distortion. Listening to I'm Discovering Days of My Life feels like embarking on a trans-planetary safari - it's composed of familiar sounds re-arranged in new ways, terrifyingly alien and teeming with extraterrestrial oddity.

5/01/2015

Review: Kinesthetiac - "Self-Titled EP"

Kinesthetiac - Kinesthetiac EP
(2015 Sad Alan)

In the mid-2000s, Animal Collective introduced a raucous, neo-tribalist aesthetic to the rather sterile, whismsical brand of indie rock that dominated the scene, peddled by NPR-core acts like The Shins, The Decemberists and Grizzly Bear. Dubbed “freak-folk”, AnCo’s fresh, exciting approach to the classic “campfire song” was an experiment in regression. Disposing of any notion of convention, the collective exposed the beast caged within indie-folk’s quaint, soothing aesthetic by stripping it down to stomps, chants and barbaric yawps, a cacophony of pure emotion. Today, Indiana-based producer Kinesthetiac’s new EP is part of a similar revolution challenging the conventions of electronic music. A self-proclaimed “next level gay furry internet persona post-modern expeditionist”, Jared VanMatre produces odd sound sketches that are often minimal in construction but always maximalist in their scope of expression. “Call Me Up” evokes the sonic color pallet of Fisher-Price reds, yellows and blues that I’ve often attributed to PC Music’s GFOTY. It’s straightforward, and jarringly childlike, its bleep and bloops reminding me of sound effects from a late-90s educational computer game, (maybe Freddi Fish, perhaps?). “@TheSarcasmTweets” is the album’s crowning achievement, its unpredictable rhythms accented by vocal samples that seem to have been run through a Slap-Chop. It’s sort of a cross between A.G. Cook and Spinee. Bookended by instrumentals like the funky “Deep Landscape” and “Clubhouse”, a bouncy jingle that features a cute whistle sample, Self-Titled is an undeniably fun album from start to finish and is one of the year's most re-playable efforts.

(excerpt from half gifts issue 13)

3/24/2013

Order Issue 3 of the Zine!


Hey there! I just got finished writing issue three of the zine. If you'd like to receive a free print copy, email  your address to jude.noel3@gmail.com. Due to unexpected demand, even if you ordered last time, make sure to email me again. 

Interviews
- Julia Brown
- Lo-Fi By Default
- Kinesthetiac
- Barlow

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Reviews
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