1. A Grave With No Name - Orion
AGWNN's gradual evolution from molten, nearly formless noise pop to lush folk-rock has been fascinating to witness over the course of the UK-based solo act's six-year lifespan. Each installment in the project's discography acts as a scrapbook photo of sorts, from the lovably primal Mountain Debris to the angst-riddled Whirpool and most recently, to Feathers Wet, Under the Moon, a mature and rather "professional LP. Trimming the tape hiss and quirky experimentation that accents his usual output, frontman Alexander Shields instead invokes an alt-country ethos that recalls Lambchop, Red House Painters and The National's early output. "Orion" is the new album's standout cut, gliding on proto-grunge fuzz, plodding bass and twangy lead guitar. Shields' ability to pen heart-wrenching hooks is on full display, and it's especially evident in the transition from verse to chorus, trading crunchy rhythm guitar for gloomy, clean arpeggios.