Showing posts with label Unread. Show all posts
Showing posts with label Unread. Show all posts

8/14/2016

Review: C. Worth - "Duga"

C. Worth - Duga
(2016 Unread Records and Tapes)

A geiger counter sounds a salvo of throaty crackles - recorded on the thirtieth anniversary of the Chernobyl nuclear accident, Duga's barren soundscapes feel like a Camcorder's record of a wasteland filmed by a crew of a hazmat-clad documentarians. Wheezes of feedback drift through a lattice of tinny six-string noodling as rusted and misshapen and a long-abandoned playground's jungle gym or the gutted remains of a brutalist housing complex. The greyscale terrain decays beneath the camera's grainy distortion.

Though his improvised creations are about as inviting as untreated concrete crowned with barbed wire, there's something scarily soothing about C. Worth's new tape. Surrendering to its abyssal drone is like surveying the pool beneath the towering high dive you're standing on or giving into sleep after an exhausting day at work. Duga is a void worth jumping into - it's a cannonball into the deep in; a few hours worth of dreamless sleep in the afternoon. Melding the needly twang of a Carpenter-ian slasher soundtrack, the post-apocalyptic vibes of a Godspeed You! Black Emperor interlude and the narcotic whirr of an oscillating fan, this is one of the most compelling Unread Records and Tapes releases I've reviewed to date. It's sleepy, spooky and overwhelmingly bleak.

5/26/2016

Review: Gang Wizard - "Now Departing Critter Country"

Gang Wizard - Now Departing Critter Country
(Unread Records and Tapes 2016)

Gang Wizard's latest cassette release, (or anything dropped on Pittsburgh's Unread Records and Tapes imprint for that matter), is more an archive than an album - it's a Xeroxed inventory of avant-rock meditations, clipped tape loops and the occasional splinter of proto-grunge griminess. Long Beach's 20-year-old improv collective Gang Wizard boasts a discography of 40+ releases, each of which feels like a scanned PDF file of a W-2 form or a journal article hiding in some university database - tracks are organized in a stoic, seemingly random fashion. 10 second interludes flank 10 minute jams and volumes fluctuate enough to keep my index finger close enough to my laptop's volume control to prevent a jump scare or small-scale heart attack. Gang Wizard's tapes are cryptic and adventurous little collections of data that are meant for evaluating and sorting through - as much of the fun lies in the process of listening as in the listening itself.

Their latest output, Now Departing Critter Country, occupies the same sort of timbral territory as Sonic Youth's Confusion Is Sex or one of Racoo-oo-oon's sorely-overlooked tapes on Night People Records, dropping instant mashed potato flakes of chiming lead guitar atop needle-like feedback squeals and ominous bass plods. "Aquire" oozes with tension-inducing campiness, its frantically-mashed keyboard melodies dotting a canvas splashed with marching band percussion and grating chords. The minute-long "Drought Gorge" is the record's strongest cut, pairing bluesy riffs with a Pavement-esque backing track, producing the extemporaneous charm of an H-Street video soundtrack. "Stark Match" creates a dark nightscape tinged with bell-like tones, setting up for closing tune "Mining Droid", a nearly half hour slab of free jazz crunchiness.

Now Departing Critter Country is an excellent fusion of the sinister atonality of Hanson Records and Dinosaur Jr's lick-laden fuzz-punk assault - though it borrows heavily from late 80s outlier outfits, it doesn't seem to quite resemble music from any time period, or this earth even. Gang Wizard resides on its own screenprinted plane.

5/11/2013